Tuesday, November 10
We finished watching M.
Tuesday, November 10, 2009
Monday, November 9, 2009
Friday, November 6, 2009
Thursday, November 5, 2009
Wednesday, November 4, 2009
Wednesday, November 4
Focus on Expressionism
We began by watching one more clip from Metropolis, in which the false Maria turns men to beasts with her dancing and Freder dreams of the Seven Deadly Sins -- a primer in Expressionist style.
From film we turned to painting, and illustrated references to artists in the Britannica handout --from Van Gogh to Kaethe Kollwitz -- with projected images.
HW due Thursday
Quiz over Expressionism, based on class instruction, films and clips, and the two handouts.
Focus on Expressionism
We began by watching one more clip from Metropolis, in which the false Maria turns men to beasts with her dancing and Freder dreams of the Seven Deadly Sins -- a primer in Expressionist style.
From film we turned to painting, and illustrated references to artists in the Britannica handout --from Van Gogh to Kaethe Kollwitz -- with projected images.
HW due Thursday
Quiz over Expressionism, based on class instruction, films and clips, and the two handouts.
Tuesday, November 3, 2009
Tuesday, November 3
We returned to Freaks and re-viewed the pivotal scene where the tables are turned on Cleopatra, focusing on how the change in perspective to that of the freaks is accomplished in cinematic terms.
We also discussed further question of the film's moral center (in simple terms whether film ridicules or advocates for those who are not "normal").
We then turned (returned) to Lang's Metropolis as an important example of the German Expressionist movement in film to which Freaks is very heavily indebted. We watched two scenes of that Metropolis.
HW due Thursday:
Quiz over Expressionism; review the two handouts.
We returned to Freaks and re-viewed the pivotal scene where the tables are turned on Cleopatra, focusing on how the change in perspective to that of the freaks is accomplished in cinematic terms.
We also discussed further question of the film's moral center (in simple terms whether film ridicules or advocates for those who are not "normal").
We then turned (returned) to Lang's Metropolis as an important example of the German Expressionist movement in film to which Freaks is very heavily indebted. We watched two scenes of that Metropolis.
HW due Thursday:
Quiz over Expressionism; review the two handouts.
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